Example Curriculum
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- 01 - Course Introduction (1:03)
- 02 - Signal Flow (4:13)
- 03 - Hertz (11:09)
- 04 - Gain Staging (17:44)
- 05 - Microphone Types (7:12)
- 06 - Mic Polar Patterns (19:19)
- 07 - Mics on Display (15:21)
- 08 - Cables (8:36)
- 09 - A Basic Sound Bag (18:16)
- 10 - Gain Staging Review and In Depth (18:51)
- 11 - ENG vs EFP (29:16)
- 12 - Mixers Part 1 - Portable Mixers (19:27)
- 13 - Mixers Part 2 - Live Desk (10:45)
- 14 - Lavaliere Microphone Types (37:57)
- 15 - Recording: PolyWAV Files (8:14)
- 16 - Frames-Per-Second and Record Settings (17:40)
- 17 - Boom Mics
- 18 - Treating the Room (14:14)
- 19 - Mics in the Wind (9:51)
- 20 - Lav'ing Talent (14:29)
- 21 - Wireless Overview (15:25)
- 22 - Wireless Blocks (7:08)
- 23 - Sound Devices 633 vs MixPre 10ii Recorders (18:12)
- 24 - Tuning Wireless RX to SD 633 (18:08)
- 25 - Tuning Wireless RX to SD MixPre 10ii (7:28)
- 26 - Intermodulation (11:45)
- 27 - Smart Tune Feature (3:57)
- 28 - Manual Scans (4:01)
- 29 - Freq Finder (16:06)
- 30 - Wargaming Transmitters (7:22)
- 31 - Lectrosonics SRc Receiver (7:51)
- 32 - SENN G4 RX (8:15)
- 33 - Senn G4 TX (6:10)
- 34 - Camera Hops (7:24)
- 35 - Timecode Overview (9:31)
- 36 - Timecode Slate (3:56)
- 37 - Timecode Lockit and Cables (9:11)
- 38 - Timecode in Post Production Editing (8:42)
- 39 - Before You Hit "Record" (8:30)
- 40 - Build a Sound Bag (5:14)
- 41 - Harnesses (7:47)
- 42 - IFB (7:39)
- 43 - OSK (20:59)
- 44 - Recording a Dialog Scene (17:32)
- 45 - Getting Gigs, Pricing, Paperwork, Negotiations, and Business Tips (18:19)
- 46 - Wrap Out (4:20)
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