Autoplay
Autocomplete
Previous Lesson
Complete and Continue
Become a Sound Recordist: The Ins and Outs of Location Audio for TV and Filmmaking
New section
01 - Course Introduction (1:03)
02 - Signal Flow (4:13)
03 - Hertz (11:09)
04 - Gain Staging (17:44)
05 - Microphone Types (7:12)
06 - Mic Polar Patterns (19:19)
07 - Mics on Display (15:21)
08 - Cables (8:36)
09 - A Basic Sound Bag (18:16)
10 - Gain Staging Review and In Depth (18:51)
11 - ENG vs EFP (29:16)
12 - Mixers Part 1 - Portable Mixers (19:27)
13 - Mixers Part 2 - Live Desk (10:45)
14 - Lavaliere Microphone Types (37:57)
15 - Recording: PolyWAV Files (8:14)
16 - Frames-Per-Second and Record Settings (17:40)
17 - Boom Mics
18 - Treating the Room (14:14)
19 - Mics in the Wind (9:51)
20 - Lav'ing Talent (14:29)
21 - Wireless Overview (15:25)
22 - Wireless Blocks (7:08)
23 - Sound Devices 633 vs MixPre 10ii Recorders (18:12)
24 - Tuning Wireless RX to SD 633 (18:08)
25 - Tuning Wireless RX to SD MixPre 10ii (7:28)
26 - Intermodulation (11:45)
27 - Smart Tune Feature (3:57)
28 - Manual Scans (4:01)
29 - Freq Finder (16:06)
30 - Wargaming Transmitters (7:22)
31 - Lectrosonics SRc Receiver (7:51)
32 - SENN G4 RX (8:15)
33 - Senn G4 TX (6:10)
34 - Camera Hops (7:24)
35 - Timecode Overview (9:31)
36 - Timecode Slate (3:56)
37 - Timecode Lockit and Cables (9:11)
38 - Timecode in Post Production Editing (8:42)
39 - Before You Hit "Record" (8:30)
40 - Build a Sound Bag (5:14)
41 - Harnesses (7:47)
42 - IFB (7:39)
43 - OSK (20:59)
44 - Recording a Dialog Scene (17:32)
45 - Getting Gigs, Pricing, Paperwork, Negotiations, and Business Tips (18:19)
46 - Wrap Out (4:20)
Teach online with
08 - Cables
Lesson content locked
If you're already enrolled,
you'll need to login
.
Enroll in Course to Unlock